SEÁN DUGGAN, OSB, pianist, is a monk of St. Joseph Abbey in Covington, Louisiana. He obtained his music degrees from Loyola University in New Orleans and Carnegie Mellon University, and received a Master’s degree in theology from Notre Dame Seminary in New Orleans. From 1988 to 2001 he taught music, Latin and religion at St. Joseph Seminary College in Louisiana and was director of music and organist at St. Joseph Abbey.

In September, 1983 he won first prize in the Johann Sebastian Bach International Competition for Pianists in Washington, D.C., and again in August, 1991. Having a special affinity for the music of Bach, in 2000 he performed the complete cycle of Bach’s keyboard works eight times in various American and European cities. For seven years he hosted a weekly program on the New Orleans NPR station entitled “Bach on Sunday.” He is presently in the midst of recording the complete cycle of Bach’s keyboard (piano) music which will comprise 24 CDs.

Before he joined the Benedictine order he was pianist and assistant chorus master for the Pittsburgh Opera Company for three years. He has performed with many orchestras including the Louisiana Philharmonic, the Buffalo Philharmonic, the Leipzig Gewandhaus Orchestra, the Leipzig Baroque Soloists, The Prague Chamber Orchestra, The American Chamber Orchestra and the Pennsylvania Sinfonia. From 2110 to 2004 he was a visiting professor of piano at the University of Michigan. Currently he is associate professor of piano at SUNY Fredonia. During the fall semester of 2008 he was also a guest professor of piano at Eastman School of Music. He has been a guest artist and adjudicator at the Chautauqua Institution for several summers, and is also a faculty member of the Golandsky Institute at Princeton, New Jersey. He continues to study the Taubman approach with Edna Golandsky in New York City.

Pianist Christopher Guzman enjoys an international performing career, showcasing a broad range of styles from the Baroque era to the avant-garde. Since winning top prizes in several international competitions, including the Walter M. Naumburg Competition, the Seoul International Music Competition and the Isang Yun Competition of South Korea, Mr. Guzman has performed across Europe, North and South America, and Asia. As a result of winning the top prize at the Concours International de Piano d’Orléans in Orléans, France, he has toured France extensively, giving performances and teaching masterclasses.
Mr. Guzman has appeared in concert in major international venues as Tokyo’s Suntory Hall, Leipzig’s Gewandhaus, Buenos Aires’s CCK, Carnegie’s Weill Hall, London’s Wigmore Hall and others. As a chamber musician, he has collaborated with the classical music world’s most exciting soloists, including Ilya Gringolts, Antoine Tamestit, David Fray, and Jeremy Denk, among others. He continually performs with members of the world’s finest orchestras, including the Berliner Philharmoniker, the Philadelphia Orchestra, the San Francisco Symphony, the New York Philharmonic, and the Seoul Philharmonic Orchestra. He appears regularly on the New York Philharmonic’s chamber music series “Philharmonic Ensembles,” and recently performed with musicians of the Chicago Symphony at their home in Orchestra Hall.

While Mr. Guzman has won multiple international prizes for his performances of traditional repertoire, much of his career has been centered on music written after 1900; his performances have included world premieres by Donald Martino, Nico Muhly, and Paul Schoenfield. The New York Times hailed his performance of Christopher Theofanidis’s Statues as “coiled” and “explosive.” His CD of German and Austrian music from the past one hundred years, Vienne et après, is available on the Tessitures label; his CD of music of Paul Reale on the Naxos Label, “Chopin’s Ghosts,” was included in Fanfare magazine’s Top Five releases of 2018. He has subsequently recorded two additional albums of Reale’s music, including chamber music and concerti, to much critical acclaim. In the spring of 2022, Mr. Guzman will research works of Mexican composer Carlos Chávez and release a video recording of his representative works for piano.

Born in Texas, Christopher Guzman began studying piano at age nine and violoncello two years later. He worked primarily with Jerome Lowenthal and Robert McDonald at the Juilliard School, Anton Nel at the University of Texas at Austin, and the late Patricia Zander at the New England Conservatory. In addition to performing, he is also Professor of Piano at Penn State University in State College, Pennsylvania.

Sang Woo Kang is described as a “prodigiously talented” by the Los Angeles Times and praised by the New York Concert Review for his “atmospheric and poetic renditions.” As an active performer, pianist Sang Woo Kang has presented masterclasses and recitals over 25 countries, from Asia, Scandinavia, Europe, Central and South America. In addition, he directs the Piano Institute and Seminar at the Atlantic Music Festival over the summer. He successfully balances his performing career as a solo, orchestral, and chamber musician with teaching at Providence College, where he is Professor of the Department of Music. He is also on the teaching faculty of Brown University.

He is a graduate of Juilliard School and the Eastman School of Music, where he received the Doctor of Musical Arts degree. His recording of Mozart’s piano pieces, including never-performed fragments, was released in December 2014 on the NAXOS Label. His Scarlatti Sonata recording will be available early 2019 (NAXOS). He has also previously recorded for the EMI-Korea label.

For more information, please visit www.sangwookang.com

Hitomi Koyama has won prizes in consecutive years at Dichler Competition held in Vienna, Austria and also has received Leni Fe Bland Music Awards. She has performed at Wiener Musikseminar, International Sommer Akademie Tokushima, Art of the Piano, CCM Prague International Piano Institute, Mannes Beethoven Institute, Eastern Music Festival and Atlantic Music Festival.

As a recitalist and a chamber musician, she has appeared in venues are such as Corbett Auditorium, Werner Hall and Watson Hall in Cincinnati, Snyder Recital Hall at Ohio Northern University, Javitz Center, the Lincoln Center, Spanish Institute, Steinway Hall and Yamaha Salon in New York, Flickinger Center in New Mexico, Bösendorfer Hall, Liszt Hall and Konzerthaus Wien in Austria, Jan Deyl Conservatory Concert Hall in Czech Republic, Murasaki Hall, Aimu Hall and Amyu Tachikawa Hall in Japan.

Koyama has earned degrees from the Juilliard School, Mannes College, and University for Music and Performing Arts Vienna. Currently, she is pursuing her doctoral degree at College-Conservatory of Music University of Cincinnati. She has played in master classes with world-renowned pianists such as Mitsuko Uchida and Robert Levin. Her significant mentors include Martin Canin, Victor Rosenbaum, Peter Efler, and Eugene Pridonoff.

Along with her passion for performance, she is an active teacher at both collegiate and preparatory institutions. She served as Adjunct Professor of Piano at CCM, Wittenberg University and piano faculty at CCM Preparatory Department. From October 2017, she joins piano faculty at New England Conservatory Preparatory School in Boston. She gave recitals and master classes at Ohio Northern University, Ohio University, Providence College, Western Kentucky University and Wright State University. Her students have won scholarships, competitions around the country and have been pursuing further performance studies at major conservatories and universities in the U.S. She is a guest artist faculty at Atlantic Music Festival in Maine and a piano faculty at Shinshu Art Camp in Nagano, Japan.

Praised by The Cleveland Classical Review for his “astonishingly confident technique” and The New York Times for “thrilling [and] triumphant” performances, pianist Henry Kramer is developing a reputation as a musician of rare sensitivity who combines stylish programming with insightful and exuberant interpretations. In 2016, he garnered international recognition with a Second Prize win in the Queen Elisabeth Competition in Brussels. Most recently, he was awarded a 2019 Avery Fisher Career Grant by Lincoln Center – one of the most coveted honors bestowed on young American soloists.

Henry emerged as a winner in the National Chopin Competition in 2010, the Montréal International Competition in 2011 and the China Shanghai International Piano Competition in 2012. In 2014 he was added to the roster of Astral Artists, an organization that annually selects a handful of rising stars among strings, piano, woodwinds and voice candidates. The following year, he earned a top prize in the Honens International Piano Competition.

Kramer has performed “stunning” solo recital debuts, most notably at Alice Tully Hall as the recipient of the Juilliard School’s William Petschek Award, as well as at Amsterdam’s Concertgebouw. At his Philadelphia debut, Peter Dobrin of The Philadelphia Inquirer remarked, “the 31-year-old pianist personalized interpretations to such a degree that works emerged anew. He is a big personality.”

A versatile performer, Kramer has soloed in concertos with the Bilkent Symphony Orchestra, Belgian National Orchestra, Shanghai Philharmonic Orchestra, Indianapolis Symphony and the Calgary Philharmonic Orchestra, among many others, collaborating with conductors such as Marin Alsop, Gerard Schwarz, Stéphane Denève, Jan Pascal Tortelier and Hans Graf. Highlights of the 2021-22 season included a solo recital at the BravoPiano! festival in Hilton Head where he premiered a work he commissioned by composer Han Lash, performing Rachmaninoff's third piano concerto with the Hartford Symphony to rave reviews, features on series in Washington (Phillips Collection), Durham (St. Stephens), and Seattle (Emerald City Music), concerts throughout Southern California with Camerata Pacifica, and summer appearances at the Anchorage, Lakes Area, Rockport, and Vivo music festivals. Appearances in the 2022-23 season include a debut with New York's Salon Séance, recitals with Newport Classical, Toronto's Koerner Hall, Vancouver Chamber Music Society, and additional appearances in Ithaca, Detroit, Seattle, and Montréal.

His love for the chamber music repertoire began early in his studies while a young teenager. A sought-after collaborator, he has appeared in recitals at the Chamber Music Society of Lincoln Center, the Mainly Mozart Festival, the Mostly Mozart Festival, and La Jolla Music Society’s Summerfest. His recording with violinist Jiyoon Lee on the Champs Hill label received four stars from BBC Music Magazine. This year, Gramophone UK praised Kramer’s performance on a recording collaboration (Cedille Records) with violist Matthew Lipman for “exemplary flexible partnership.” Henry has also performed alongside Emmanuel Pahud, the Calidore and Pacifica Quartets, Miriam Fried, as well as members of the Berlin Philharmonic and Orchestra of St. Luke’s.

Teaching ranks among his greatest joys. In the fall of 2022, Kramer joined the music faculty of Université de Montréal. Previously, he served as the L. Rexford Whiddon Distinguished Chair in Piano at the Schwob School of Music at Columbus State University in Columbus, Georgia. Throughout his multifaceted career, he also held positions at Smith College and the University of Missouri Kansas City Conservatory of Dance and Music.

Kramer graduated from the Juilliard School, where he worked with Julian Martin and Robert McDonald. He received his Doctorate of Musical Arts from the Yale School of Music under the guidance of Boris Berman. His teachers trace a pedagogical lineage extending back to Beethoven, Chopin and Busoni. Kramer is a Steinway Artist.

Described as "an artist with a polished sound and tremendous constructive power" and hailed by the Hoja del Lunes de Madrid, as "the Spanish pianist of his generation," Jose Ramon Mendez is one of the most exciting Spanish pianists of today.

Recent performances include Chopin's first piano concerto with the Cuban National Symphony Orchestra and Manuel de Falla's "Nights in the Gardens of Spain" with the Nittany Valley Symphony, as well as numerous solo and chamber music performances in the United States, Europe, and Asia. His playing has been featured on WQXR's "Performance Today" and on Classical KMFA. He has been a guest performer at many music festivals, including Caramoor Festival, Barge Music Series, Festival Internacional de Piano de las Islas Canarias, Music at Penns Woods, Amalfi Coast International Music Festival, "Tocando el Cielo," Musica en Compostela, the Stony Brook International Piano Festival, and the Santander International Music Festival to name a few. As a chamber musician, Mendez has collaborated with such distinguished artists as Karl Leister, Itzhak Perlman, Michael Tree, Pascual Martinez-Nieto, and Pinchas Zukerman.

Mendez received his first music instruction from his father and by the age of seven was already performing on Spanish television and radio stations. He made his solo debut at the age of eleven at the Oviedo Philharmonic Society in Oviedo, Spain, the youngest performer ever to do so in the history of the society. He first gained international recognition when he performed Liszt's first piano concerto under the direction of Sergiu Commissiona at the Concertgebouw in Amsterdam. Since then, he has concertized extensively in his native Spain, the United States, Italy, England, Portugal, Holland, and Japan to great acclaim. With his poetry, intellect, and masterful technique, he has been praised by critics and celebrated by audiences around the world.

At the age of 18, Mendez's success brought him to the United States, where he began his studies at Manhattan School of Music in New York City. He completed his Bachelors and Masters Degrees in piano performance with renowned pedagogue Solomon Mikowsky and went on to finish his Doctorate of Musical Arts under the tutelage of Byron Janis and Miyoko Lotto. During his stay in New York, he won top prizes in many international competitions, including Pilar Bayona International Piano Competition, Hilton Head Island International Piano Competition, Frederick Chopin Competition in New York, and Hermanos Guerrero International Piano Competition, among others.

Mendez's professional teaching career began in 1996, when he was invited to teach master classes at the Gijon School of Music. Since then, he has given master classes in numerous cities in Spain, including Lugo, Aviles, Valencia, Gijon, Oviedo, Santiago de Compostela, and Las Palmas de Gran Canaria, as well as in the United States at top music schools such as Oberlin Conservatory, Northwestern University, University of Michigan, and Columbus State University. Mendez also taught as assistant teacher to Miyoko Lotto at the Perlman Music Program, a program for gifted young musicians founded by the world famous violinist Itzhak Perlman. Currently in the summers, he is the Artistic Director and on the faculty of the Gijon International Piano Festival in Gijon, Spain, as well as frequently being invited to perform and teach at various festivals.

For more information, visit his at https://www.joseramonmendez.com

Praised by critics as “a diva of the piano” (The Salt Lake City Tribune), “a mesmerizing risk-taker” (The Plain Dealer, Cleveland), and “simply spectacular” (Chicago International Music Foundation) Ukrainian-American pianist Marina Lomazov has established herself as one of the most passionate and charismatic performers on the concert scene today. Following prizes in the Cleveland International Piano Competition, William Kapell International Piano Competition, Gina Bachauer International Piano Competition, and Hilton Head International Piano Competition, Ms. Lomazov has given major debuts in New York (Weill-Carnegie Hall) Boston (Symphony Hall), Chicago (Dame Myra Hess Concert Series), Los Angeles (Museum of Art), Shanghai (City Theater) and Kiev (Kiev International Music Festival). 

She has performed as soloist with the Boston Pops, Rochester Philharmonic, Eastman Philharmonia, Chernigov Philharmonic (Ukraine), KUG Orchester Graz (Austria), Bollington Festival Orchestra (England), Piccolo Spoleto Festival Orchestra, Brevard Festival Orchestra and South Carolina Philharmonic, to name a few. New York Times chief music critic Anthony Tommasini describes a recent New York performance as “dazzling” and Talk Magazine Shanghai describes her performances as “a dramatic blend of boldness and wit”.

In recent seasons, Lomazov has performed extensively in China, South Africa, Italy, Spain, and in the United States.  She is a frequent guest at music festivals in the U.S. and abroad, including Hamamatsu, Chautauqua, Brevard, Miami, Perugia (Italy), Burgos (Spain), Sulzbach-Rosenberg (Germany) and Varna (Bulgaria), among others.  She has recorded for the Albany, Centaur and Innova labels and American Record Guide praised her recent recording of piano works by Rodion Shchedrin for its “breathtaking virtuosity”. 

Before immigrating to the United States in 1990, Marina studied at the Kiev Conservatory where she became the youngest First Prize Winner at the all-Kiev Piano Competition. Ms. Lomazov holds degrees from the Juilliard School and the Eastman School of Music, the latter bestowing upon her the highly coveted Artist’s Certificate – an honor the institution had not given a pianist for nearly two decades.  Also active as a chamber musician, Lomazov has performed widely as a member of the Lomazov/Rackers Piano Duo.  Praised for “demon precision and complete dedication” (Audio Society), the duo garnered significant attention as Second Prize winners at the Sixth Biennial Ellis Competition for Duo Pianists (2005), the only national duo piano competition in the United States at that time.

Ms. Lomazov is a Professor of Piano at the Eastman School of Music.  She is currently serving as a chair for National Panelist for YoungArts, the only organization in the US that nominates U.S. Presidential Scholars in the Arts. For 17 years she served on the faculty of the University of South Carolina School of Music, where she held the chair of Ira McKissick Koger Professor of Fine Arts Music and is currently holds a Guest Artist Residency.  Together with her husband and piano duo partner Joseph Rackers, she co-founded and serves as Co-Artistic Director of the Southeastern Piano Festival in Columbia, SC.

Ms. Lomazov is a Steinway Artist.

Pianist Esther Park has performed as a soloist with orchestras and in recitals across the United States as well as Asia and major European cities. Ms. Park has appeared as soloist with many orchestras such as Houston Symphony, Corpus Christi Symphony, Filharmonia Pomorska, Poland, Shanghai Philharmonic, China, the American Academy of Conducting Orchestra at Aspen, Shreveport Symphony, the Juilliard Symphony, and the New Jersey Symphony.

Ms. Park gave a five-city recital tour in Korea, and has performed at the Juilliard Theater in NYC, Alice Tully Hall, Lincoln Center, Carnegie Halls' Weill Recital Hall, Salle Cortot in Paris, and the New Jersey Performing Arts Center. Ms. Park is the winner of the 2013 Jose Roca International piano competition and Russian International piano competition (now San Jose International Piano Competition, 2009 "Prix Amadeo" and the 2009 Chopin Gesellschaft Klavierwettbewerb. She is the winner of the 2004 Gina Bachauer Piano Competition at the Juilliard School, and the 52nd Kosciusko International Piano Competition.

Ms. Park is a founding member of a piano duo with her sister, Sun-A Park. Duo Amadeae has since won the Chicago International Duo Piano Competition, and has appeared in numerous festivals, concerto performances and in duo recitals. The duo has been heard on WQXR as well as part of the Horowitz & Stecher foundation's piano series.

Ms. Park has received her Bachelor's degree and Master's degree from the Juilliard School, studying with Yoheved Kaplinsky. Ms. Park also studied at the Hochschule fur Musik und Theater (Hannover) under the tutelage of Bernd Goetzke, and has since received the Artist Diploma, Master of Musical Arts Degree and the Doctor of Musical Arts Degree at the Yale School of Music under the guidance of Boris Berman. Ms. Park has been serving as the associate professor of piano since 2015 and the director of Pre-College program at the East Tennessee State University. Starting in the Fall, Ms. Park will join the Schwob School of Music as visiting associate professor of music.

Praised for her “thrilling, inspirational performance” (Florida Sun-Sentinel) and “elegance of line, leaping energy” (San Jose Mercury News), pianist Yukiko Sekino has forged a career that encompasses a wide range of interests.  A soloist noted for her performances of Beethoven, Rachmaninoff, and Scriabin, she frequently collaborates in chamber music and performs some of the most challenging twentieth and twenty-first century works.

Sekino is the Gold Medalist of the 2006 International Russian Music Piano Competition and a 2010 winner of the S&R Foundation’s Washington Award.  During the final round of the International Russian Music Piano Competition, she received the Public Prize through audience vote for her performance of Rachmaninoff’s Third Piano Concerto.  Sekino is also a winner of Tanglewood Music Center’s Jackson Prize, the JAA Music Award in New York, and the Mu Phi Epsilon International Music Competition.

She made a debut with the Boston Symphony Orchestra at age sixteen, and has since performed with the New World Symphony, Harvard-Radcliffe Orchestra, and Stony Brook Symphony Orchestra.  Recent recitals include those at the Overtures Series in Washington, D.C., Dame Myra Hess Concerts in Chicago, Hitomi Memorial Hall in Tokyo, Japan, Northeast Asia International Piano Festival in China, and U.S. college campuses such as Eastman School of Music, MIT, and Ithaca College.  She has given masterclasses in the United States and China.

An avid chamber musican and a new music performer, Sekino has been invited to Tanglewood Music Center, Thy Masterclass Chamber Music Festival (Denmark), and Kneisel Hall Chamber Music Festival.  Between 2005 and 2008, she was a resident pianist of the New World Symphony under the direction of Michael Tilson Thomas.  In 2013, she performed as a soloist in Elliott Carter’s Double Concerto for Piano and Harpsichord at Carnegie Hall’s Zankel Hall in culmination of Weill Institute Professional Training Workshop with John Adams and David Robertson.

Sekino is a graduate of Harvard University and the Juilliard School, and holds a doctoral degree from State University of New York at Stony Brook. Her teachers include Gilbert Kalish, Seymour Lipkin, Robert Levin, and Eda Shlyam.  She previously taught at Colby College, and currently teaches piano at Massachusetts Institute of Technology and the New England Conservatory Prep School.

Arlene Shrut, is a collaborative pianist with a flair for the visionary: combining tradition with transformation.  This two-fold passion guided Arlene to become Founder and Artistic Director of New Triad for Collaborative Arts, a 501C3 non-profit educational and arts service organization dedicated to providing classically-trained musicians with professional presentation skills that lead to more accessible concerts.  New Triad's innovative interdisciplinary training helps artists dramatically increase both the expressiveness and visual impact of their performances.

Dr. Shrut is a Senior Coach at the Marcus Institute for Vocal Arts of The Juilliard School as well as a Vocal-Piano Recital Faculty Coach at the Manhattan School of Music.  An admired keyboard performer hailed as a "strong and sensitive pianist" by The New York Times, Arlene has performed in major venues in America, Canada and Europe, and recorded for Dorian, Albany, Summit, Centaur and Orion labels.  Arlene also launched The National Association of Accompanists and Coaches and taught on the faculties of Syracuse University and Mannes College.  During the summer of 2009, her teaching and performing was featured at Vancouver International Song Institute, Operafest on Martha's Vineyard and Resonanz Festival.  In the summer of 2010, she also joined the Atlantic Music Festival faculty and guested at Songfest in Malibu.

Arlene's ongoing activities in the operatic realm include serving as official pianist for international competitions sponsored by The Loren Zachary Society, The Gerda Lissner Foundation, The Licia Albanese Puccini Foundation and the Giulio Gari Foundation. She was coach/pianist for Arizona Opera's last complete Ring cycle and has performed in many gala concerts sponsored by the America Wagner Society. Arlene was a member of the coaching staff at the Aspen Opera Theater Center for fourteen summers, where she taught seminars on Mozart and German opera. Arlene was honored in 2003 as inaugural "Coach of the Year" by Classical Singer Magazine.

Logan Skelton is a much sought after pianist, teacher, and composer whose work has received international critical acclaim. As a performer, Skelton has concertized widely in the United States, Europe, and Asia and has been featured on many public radio and television stations including NPR's Audiophile Audition, Performance Today, All Things Considered, and Morning Edition, as well as on radio in China and national television in Romania. He has recorded numerous discs for Centaur, Albany, Crystal, Blue Griffin, and Naxos Records, the latter on which he performed on two pianos with fellow composer-pianist William Bolcom. A frequent guest at music festivals, Skelton regularly appears in such settings as Gina Bachauer; Amalfi Coast; Gijón; Eastman; Tunghai; Chautauqua Institution; American Romanian; Eastern; New Orleans; Poland International; Indiana University; Hilton Head Island; and the Prague International Piano Masterclasses. He is a popular presenter at music teacher organizations including numerous appearances at MTNA national conventions and EPTA World Piano Conferences, as well as serving as convention artist for state conventions in New York, Illinois, Michigan, Louisiana, North Carolina, Wyoming, and Iowa. Moreover, he has given countless performances and masterclasses at colleges, conservatories, and conferences throughout the U.S., South Korea, Taiwan, Singapore, China, Italy, Romania, Serbia, Poland, and Czech Republic. He is a frequent juror for international piano competitions. His Centaur Records compact disc, of all 20th century American solo piano music, is titled American Grab Bag: Piano Music of Our Time. American Record Guide described this as a "fascinating recording," commenting on Skelton's "superb, wonderfully subtle and elegant playing ... Bravo!"

As a composer, Skelton has a special affinity for art song, having composed well over a hundred songs, including numerous song cycles. Critics have noted the close fusion of text and music in Skelton's songs, how words are "... illuminated with brilliance and deep emotional power," American Record Guide. Others have found "... joy-a night unto ecstatic joy... in word and sound-play," Dial M for Musicology. In Fanfare magazine reviews, Skelton as a composer of song has been singled out for his ability to "... plumb the depths of emotion ... these are exquisitely crafted art songs in the American tradition ... we are in the hands of someone who lives and breathes song." His works have been performed throughout the world by a variety of musicians in settings such as Carnegie Recital Hall and Merkin Concert Hall in New York City, Tblisi in the former Soviet Republic of Georgia, Australia, Sorrento, Italy, as well as numerous cities throughout the United States including Los Angeles, Salt Lake City, Tampa, New Orleans, Lincoln, Houston, Detroit, and many others. He composed the required work for the 1993 New Orleans International Piano Competition. His song cycle Anderson Songs: The Islander, was a recipient of the Music Composition Award from the Mississippi Institute of Arts and Letters.

Professor Skelton's principal teachers have included John Murphy, Rebecca Penneys, Lillian Freundlich, and Artur Balsam. A devoted teacher himself, his own piano students have repeatedly won awards in many national and international competitions including Hilton Head; San Antonio; Cincinnati World; Washington; Bartók-Kabalevsky-Prokofieff; Fischoff; Jacob Flier; Iowa; Frinna Awerbuch; Eastman; Crescendo; Dallas Chamber; Missouri Southern; Los Angeles Liszt; Wideman; Concorso Internazionale di Esecuzione Musicale; Schimmel, Liszt-Garrison; Grieg Festival; Del Rosario; Beethoven Sonata; Ithaca; Piano Arts; Heida Hermanns; Dubois; Schmidbauer; Peabody Mason; Janáček; Seattle; Kingsville; New York; Oberlin; Idyllwild; as well as numerous Music Teachers National Association competitions. His former students hold positions of prominence in music schools and conservatories throughout the world. He was honored by the University of Michigan as the recipient of the prestigious Harold Haugh Award for excellence in studio teaching. He has served on the faculties of Manhattan School of Music, Missouri State University, and is currently professor of Piano and director of Doctoral Studies in Piano Performance at U-M.